Back in early March I visited Stuart Asquith and took delivery of his collection of Del Prado RELIVE WATERLOO figures, and in the middle of the month Tim Gow managed to buy one hundred and fifty figures for me from the ‘bring-and-buy’ at TRIPLES. I have yet to take delivery of the latter, but during a lull in my current model ship building project I finally managed to have a serious look at the figures I got from Stuart … and these can be seen below:
By the time I have varnished and based all these additional figures, my collection will be much larger than I ever envisaged it would be … and I really will have start wargaming with them!
IMPORTANT: Please note that this is the seventh issue of THE NUGGET to be published for the 2015-2016 subscription year, and that members who have not already re-subscribed can still do so if they want to. This can be done by visiting the relevant page on the Wargame Developments website. A printed reminder was sent out with THE NUGGET 283 to all subscribers who had not yet re-subscribed.
The next actor to depict Maigret on British television was Michael Gambon. The production values were excellent, and I remember one reviewer stating that you could almost smell the garlic and sweat when you watched the programmes.
Now I have always enjoyed watching Rowan Atkinson‘s work, and know that he is an extremely capable actor whose range is much greater than just being Mr Bean or Blackadder … but I had doubts about whether or not he could portray Maigret.
I was wrong to have doubts.
Rupert Davies‘s Maigret always struck me as being a down-to-earth, jovial policeman, whilst Michael Gambon‘s portrayal was quiet, thoughtful and yet avuncular. Rowan Atkinson‘s Maigret is a much more introverted, yet caring man, who is at the same time a consummate detective with the ability to make tough decisions when the time requires it. Last night’s programme – which was a dramatised version of Simenon‘s MAIGRET SETS A TRAP – was excellent, and I was pleased to read that at least one further programme has been made and will be transmitted later this year. It is something that I will look forward to watching.
How to build a small generic pre-dreadnought battleship: Part 3: The superstructure and final assemblyPosted: March 28, 2016
The models superstructure comprised three main parts:
- The body of the superstructure
- The bridge and mast
- The funnels
The body of the superstructure was made from a 1⅜-inch/35mm long section of ½-inch/12.5mm square basswood.
One end of the superstructure block (the end that was under the ship’s bridge) was rounded off …
… and a hole was drilled in the underside of the block half way from either end.
This hole had a short length of bamboo skewer inserted into it to help to fix the superstructure in place on the completed model.
The superstructure block was then glued to the hull, and set aside whilst the glue cured.
The bridge and mast were constructed from three parts:
- The mast: a 2⅜-inch/60mm length of bamboo skewer
- The bridge wings: a ¾-inch/20mm x ⅜-inch/10mm piece of ⅛-inch thick basswood
- The wheelhouse: a ⅜-inch/10mm section of ½-inch/12.5mm square basswood
A hole large enough for the mast to pass through it was drilled in the bridge wings and wheelhouse.
A similar hole was drilled into the top of the superstructure, ⅜-inch/10mm in from the front of the ship’s superstructure …
… and the mast was glued into place.
The bridge wings were then carefully placed over the mast, …
… pushed down, …
… and glued into place.
The same procedure was used to add the wheelhouse.
The model was then set aside whilst the glue cured.
The funnels were made from:
- Four ½-inch/12.5mm x ⅜-inch/10mm wooden bobbins/cotton reels
- Two 1⅛-inch/30mm lengths of bamboo skewers
Two holes were drilled into the top of ship’s superstructure. One was ⅝-inch/15mm from the front of the superstructure and the other ½-inch/12.5mm behind it.
A length of bamboo skewer was glued into each hole …
… and each was used to locate and glue a bobbin/cotton reel in place.
Once the glue was dry, a second bobbin/cotton reel was glued on each skewer.
All that remained was to drill two location holes for the ship’s turrets …
… and to glue the turrets in place.
Other than having the wood sealed, primed, and painted, the model was complete.
The modern English word Easter seems to have its origin from pre-Christian times when, during April, feasts were held to celebrate the goddess Ēostre, the goddess of the dawn. In the non-English-speaking world the word Pascha is used instead. This seems to have been derived from the Aramaic word פסחא, which is also used to denote the Jewish festival known in English as Passover.
The date of Easter currently varies from year to year and whether or not it is being calculated by Western or Eastern/Orthodox Christian churches. Recently Justin Welby – the Archbishop of Canterbury – has agreed with the idea put forward by the Catholic and Coptic popes and the Ecumenical Patriarch of the Orthodox Church that a specific Sunday should be identified as Easter Sunday. Whether or not this will ever come about is a moot point … but it is interesting that such an idea is actively being discussed.
The first was a copy of the latest Osprey in the ‘New Vanguard’ series (No.232) entitled THE IMPERIAL JAPANESE NAVY OF THE RUSSO-JAPANESE WAR (ISBN 978 1 4728 1119 6). It was written by Mark Stille and illustrated by Paul Wright … and had arrived – very appropriately – whilst I was in the middle of a large pre-dreadnought model ship-building project.
I have already gained some inspiration from the illustrations in the book, and it has confirmed my decision to paint my model ships in grey in the first instance.
The second book was also published by Osprey Publishing, and is the second volume in Vesa Nenye’s FINLAND AT WAR books. This one has the subtitle THE CONTINUATION AND LAPLAND WARS 1941-45 (ISBN 978 1 4728 1526 2), and as was the case with the first volume Peter Munter and Toni Wirtanen assisted in its creation, along with newcomer Chris Birks.
I have only managed to have a quick flick through this book, but it is similar in layout to the first volume, and covers the less well-known period of Finland’s involvement in the Second World War. No doubt I will find it as equally inspiring as the first book, and I suspect that it might lead to yet another min-campaign at some point in the future.
The articles included in this issue are:
- Briefing (i.e. the editorial) by Henry Hyde
- World Wide Wargaming by Henry Hyde
- Forward observer by Neil Shuck
- Spikes, barbs and mines: The continuing tales of a wargames widow by Diane Sutherland
- Fantasy Facts by John Treadaway
- Send three and fourpence by Conrad Kinch
- Salute Show Guide
- Welcome to Salute 2016
- The Salute 2016 model by Kevin Dallimore
- Steampunk gaming: 1 by Sarwat Chadda
- Steampunk gaming: 2 by Alan Patrick
- Salute 2015: Painting Competition
- Salute 2016 Games
- Salute 2016 Hall Plan
- Salute 2016 Traders
- Steampunk gaming: 3 by John Treadaway
- Steampunk gaming: 4 by Philip Andrews
- Running the guns by Phil Portway
- The 5 year mission continues by Ivan Congreve
- Brotherhood of Mars by Joel, Paul, Lawrence, Alan and Neil of the South London Warlords
- Salute and its origins by John Treadaway
- Napoleonic Bicentenary: How wargamers commemorated 1815 by David Burden and James Fisher
- Hex encounter by Brad Harmer-Barnes
- Eindecker!: part 2: The rules for early WW1 air war by Chris Russell
- The Battlegames Combat Stress Appeal report by Henry Hyde
My favourite article in this issue was Conrad Kinch’s Send three and fourpence because it is entirely devoted to a Sword and the Flame scenario and battle report. It is a follow-up to the Chamla Valley scenario that is featured in the 20th Anniversary Edition of Sword and the Flame, and is entitled ‘King of the Chamla Constabulary‘. From my point of view, this article alone justifies the cost of buying this issue of the magazine.
The various Steampunk articles were also very interesting, mainly because I have always enjoyed reading science fiction, detective, and adventure stories set at the end of the nineteenth and beginning of the twentieth centuries. I have yet to actually do any Steampunk wargaming, but it certainly holds some appeal for me.
It was also of interest to me that Arthur Harman had written a review of Mike and Joyce Smith’s TABLE TOP BATTLES: TABLE TOP WARGAMING WITH MINIATURES for the Recce section. I first discovered these rules some years ago, and I still look at them for ideas and inspiration every so often.
All-in-all this was another excellent issue … and it continues to justify my decision to buy a subscription by direct debit!